If albums had something of a soft landing on the pop landscape inthen songs more than picked up the headline-grabbing slack. The Man and Sam Hunt did so domestically. And even with all this, it was still a year where the very best singles might not have been the very biggest. Lady Gaga, "The Cure". Following her rootsy, personal Joanne LP, "The Cure" comes across like Gaga's concession to radio's now waning love affair with trop-pop.
Even so, the track is unmistakable Stefani Germanotta, from the smoky coo on the verses hello, jazz chanteuse Gaga to the full-throated, mountain-top-tickling bellow that announces the chorus.
The Killers, "The Man". Inwe welcomed back synth-rock veterans The Killers with open arms. Their fifth studio album Wonderful Wonderful debuted at No. The song radiates confidence with a disco stomp as glitzy as the Las Vegas strip, and guitar riffs that demand a Travolta-like strut. Over a decade later, Flowers and his glamorous blazers are still headed for the frontman hall of fame.
Julien Baker, "Turn Out the Lights". Listening to the confessional musings of year old singer-songwriter Julien Baker can sometimes feel like looking in a mirror and seeing your truest self exposed. Halsey feat. Lauren Jauregui, "Strangers". Smino, "Anita". Dej Loaf, "No Fear".
Tash Sultana, "Jungle". Of course, as beautiful as the radio edit's serpentine may be, the real fun and games are found in the song's eight-minute live bedroom takewhere Sultana untaps levels of soul in loop pedals and guitar noodling to make jam bands across the globe weep in shame.
London producer Sophie spent the past few years constructing hyper-reality pop confections crackling with energy, marked by collabs with Madonna and Charli XCX. Largely known for staying out of the public eye, she made a public pronouncement with the release of the slowly unfurling "It's Okay to Cry," the heart-piercing first trickle of what promises to follow Sophie's album Product.
In a near whisper, she delicately builds towards an explosive denouement, without losing any of the cool remove. JAY-Z, "". Then the rapper and producer No I.
Vince Staples, "Big Fish". Let him gloat: Here, Staples offers a smart musing on his own fame that boasts about life on the bright side while also ruminating on the shadow behind. The Chainsmokers, "Paris". For a while there it seemed like The Chainsmokers couldn't miss with their go-to formula of pairing pop-leaning electro beats with irresistible female vocals on the hook, and "Paris" continued that streak.A collection of songs culled from recordings made during a stop in a European tour by three of Sudan's more popular artists in ; Abdel Gadir SalimAbdel Aziz El Mubarakand Mohamed Gubara recorded a number of tracks while touring together.
Abdel Gadir Salimaccompanying himself on the oud, provides a look at the more rural sounds from the Kordofan area of Sudan. El Mubarak gives a much more urban sound, complete with influences from the greater world. Mohamed Gubara provides a contemporary palette lyrically, but accompanies himself on the ancient tambour lyre.
The sound is an interesting one throughout the album, with careful picking on the ouds mixed with the basic bouncing accompaniment strokes.
Accordion work from Azhari Abdel Gadir helps push the music of the two oud players considerably as well. Vocally, the first two are mildly similar, holding a good deal of the same vocal aesthetics. Gubaraon the other hand, sings in an abnormally high range, not quite at falsetto level, but getting there. Without delving into full-fledged modern Sudanese pop, there aren't a terribly large number of artists or albums of Sudanese semi-traditional music on the market.
This album is one of a few in a relatively narrow field, and does well as such. Give it a listen as an introduction to the music of a rather large region of influence that doesn't quite conform to the sounds of the rest of North Africa.
Electronic Folk International. Jazz Latin New Age. Aggressive Bittersweet Druggy. Energetic Happy Hypnotic. Romantic Sad Sentimental. Sexy Trippy All Moods. Drinking Hanging Out In Love. Introspection Late Night Partying. Rainy Day Relaxation Road Trip. Romantic Evening Sex All Themes.The rich and varied music of Sudan is made up of traditional, rural East African roots as well as of Arabic, Western or other African influences on the popular urban music from the early 20th century onwards.
Since the establishment of cities like Khartoum as melting pots for people of diverse backgrounds, their cultural heritage and tastes have shaped numerous forms of modern popular music.
In the globalized world of today, the creation and consumption of music through satellite TV or on the internet is a driving force for change in Sudan, popular with local audiences as well as with Sudanese living abroad. Even after the secession of South Sudan inthe Sudan of today is very diverse, with five hundred plus ethnic groups spread across the country's territory, which makes it the third largest country in Africa.
The cultures of its ethnic and social groups have been marked by the complex cultural legacy, going back to the spread of Islam as well as by indigenous African cultural heritage. Though some of the ethnic groups still maintain their own African languagemost Sudanese today speak the distinct Sudanese dialect of Arabic. Due to its geographic location in East Africawhere African, ArabicChristian and Islamic culture have shaped people's identities, and on the southern belt of the Sahel regionSudan has been a cultural crossroads between North, East and West Africa, as well as the Arabian peninsulafor hundreds of years.
Thus, it has a rich and very diverse musical culture, ranging from traditional folk music to Sudanese popular urban music of the 20th century and up to the internationally influenced African popular music of today. Despite religious and cultural restrictions towards music and dance in public life during recent history, musical traditions have always enjoyed great popularity with most Sudanese.
Even during times of wide-ranging restrictions of public life, concerts or the celebration of weddings and other social events, music and dance have always been part of cultural life in Sudan. As in other African regions, the traditional musical styles of Sudan are ancient, rich and diverse, with different regions and ethnic groups having many distinct musical traditions. Music in Africa has always been very important as an integral part of religious and social life of communities.
Songs, dance and instrumental music are used in rituals and social ceremonies like weddings, circumcision rites or to accompany the long camel treks of the Bedouins. Traditional music has been handed down from generation to generation by accomplished musicians to younger generations and was not written down, except in recent times by formally trained musicians or ethnomusicologists. The music of Sudan has a strong tradition of lyrical expression that utilizes oblique metaphors, speaks about love, the history of a tribe or the beauty of the country.
One example for this are the elaborate wooden gourd trumpets, called al Waza  played by the tribes of the Blue Nile State. In contrast to traditional Arabic musicmost Sudanese music styles are pentatonicand the simultaneous beats of percussion or singing in polyrhythms are one of the most prominent characteristics of Sudanese Sub-Saharan music.
In many ethnic groups, distinguished women play an important role in the social celebration of a tribe's virtues and history. In her report about female singers in Darfurthe ethnomusicologist Roxane Connick Carlisle recounts her fieldwork during the s in three ethnic groups.
She must be acknowledged as the most clever and witty singer; often she must embody the idea of physical attraction, and particularly she must have the gift of poetry and improvisation, all this encompassed in a person of dignified bearing.
The numerous brotherhoods of Sufi Dervishes are religious, mystical groups that use prayers, music and ritual dance to achieve an altered state of consciousness in a tradition called zikr.
Like in other Islamic communities, the prominent Sufi orders of Sudan engage in ritualized zikr ceremonies that are not considered by the faithful as musical performances, but as a form of prayer.
Each order or lineage within an order has one or more forms for zikr, the liturgy of which may include recitationinstrumental accompaniment by drumsdancecostumesincenseand sometimes leading to ecstasy and trance. From the early s onwards, radio, records, film and television have contributed to the development of Sudanese popular music by introducing new instruments and styles. As Sudan was administered as an Anglo-Egyptian condominium from toBritish military bands have left their mark, especially through the musical training of Sudanese soldiers and by introducing Western brass instruments or even the Scottish bagpipes.
Until today, these marching bands represent a characteristic element in the parades for Independence Day or other official celebrations. Modern Sudanese music has its roots in haqibah style music pronounced hagee-ba and meaning "briefcase". It originated in the early s, and was originally derived from the Islamic praise of the prophet, known as madeeh.
Haqibah is essentially a harmonic vocal style, with percussion coming from the tambourine -like riq and from other instruments. Occasionally, tonal instruments such as the piano and the qanun a stringed instrument are used. The original Briefcase translated from the Arabic El Haqibais a large and somewhat ill-defined collection of Sudanese songs from the mid 20th century, combining strong words and songs by both Sudanese and non-Sudanese poets and musicians.
The name comes from the briefcase that the radio presenter Ahmed Osman used to carry the records in and from which he selected the different tracks to play on his radio show back in the s.
In the s, a number of music companies opened in Sudan, among them the Gordon Memorial College musical company, which included Mohamed Adam Adhamwhose Adhamiya was one of the earliest formal Sudanese compositions, and is still often played.
The early pioneers were mostly singer-songwritersincluding the prolific Abdel Karim Karouma author of several hundred songs, the innovative Ibrahim al-Abadi and Khalil Farahwho was active in the Sudanese independence movement. Sudanese popular music evolved into what is generally referred to as "post-Haqibah", a style dominating in the s, s and s. This period was marked by the introduction of tonal instruments from both East and West, such as the violinaccordionoudtabla and bongo.
A big band style came into existence, mirroring trends in the West. Post-haqibah, like haqibah, was based on the pentatonic scale.The Pornhub team is always updating and adding more porn videos every day.
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Best of Sudanese Songs Arabic Plays. Best of Sudanese Songs Songs. Wayn Wayn Best of Sudanese Songs. El Benyia Best of Sudanese Songs.It was an urban, urban, urban year for Latin music, with even the most pop of posters delving in some way or another into the beat of reggaeton.
And yes, the song that ruled the world features prominently on our list of 20 top songs of the year. The song is a standout because it is not the usual sound for a trap track, with Farruko added danceable rhythms which ended with its own dance step in the music video. The YouTube record-setting hit is the kind of song you dedicate to the one whose style and grace keeps you up at night and makes you weak in the knees all at once.
Singing entirely in Spanish for the first time, the duo recruits hip-hop artist Mala Rodriguez and come to grips on the sensual track with having to leave a subpar love for something greater.
An all-ages favorite oflife-embracing Colombian hitmaker Carlos Vives mentors newcomer Sebastian Yatra in the art of the euphoric roots-pop song. Colombian newcomer Manuel Turizo is barely 17 but boasts a deep, sexy baritone that belies his age and sounds like no one else. Neither does his first single, an ode to the lady of his dreams.
Nicky Jam has perfected the art of crafting lovelorn ballads that coexist beautifully with a reggaeton beat. This is the reggaetonero men can cry with and women can fall in love to. This is bittersweet romance.
Soko -- is a song that chronicles a love story that is anything but systematic. Swaying from Spanish to English, the song encircles us in an orbit of effervescent incredulity with such grace, it's impossible not to dive deep into this dreamlike reality.
New Sudanese Music 2017
The girls are taking over the charts, and Becky G is a prime example of that. On Billboard 's charts, "Mayores" reached No. With a feminist message for girls braided into an old school bolero, Mon Laferte makes a beautiful song all the more powerful. Simplemente catchy. What more can we say about the biggest global hit of the year? Lets drink to that. The Biz premium subscriber content has moved to Billboard. To simplify subscriber access, we have temporarily disabled the password requirement.
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Ethiopia has more than 80 languages and ethnic groups. New Ethiopian music is also as diverse as its cultures and languages. Neighboring countries music is also of great interest to Ethiopians, especially Sudanese music and Eritrean music. Western music has also been popular for decades in Ethiopia music scene.
In fact, young Ethiopian music artists have started blending Ethiopia music with western music to create a hybrid Western-Ethiopian music. In the old times, Ethiopian music artists didn't have the proper stage to display their crafts. They were usually relegated to Azmari Bet or Habesha Bet - small bars in shanty areas. Now, Ethiopia has artists performing from Habesha Bet to modern theatres.
Some of the Habesha Bet are actually much more modern and big, such as the Habesha in Addis Ababa. Over the last century, Ethiopia has produced many outstanding musicians. Teddy Afro is considered the leader among the young generation Ethiopian musicians of the new millenium. You can watch Teddy Afro singles here at Ezega Entertainment.
The Ethiopian film and Ethiopian movie scene is relatively young. However, the country has seen rapid growth in this area of late, especially in Amharic film. Most of the well-known films are Amharic film. Ethiopian well-knows actors include, Sayat Demissie, Selam Tesfaye, and Danayit Mekbib, who all have a number of Amharic film in their portfolio.
Ethiopia comedy is as old as the country, although mostly in theatres, local entertainment places and local community settings. Over the last decade or so, Ethiopian comedy artists have produced numerous Ethiopia comedy videos in Amharic, Tigrigna, Oromo, etc.
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More and more Ethiopian news today are posted in video format on Youtube. Ethiopian news agencies, Ethiopian government agencies, individual Ethiopian artists, Ethiopian promoters, and Ethiopian websites of various types post Ethiopian videos of different varieties. Some are about Ethiopian news today, some are Ethiopian documentaries, and others are promotional video types.
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